Content :

Inception

Messing with Yolande Beckles

(500) Days of Summer

The Time Traveler's Wife

Blake Snyder 1957 - 2009

True Blood

Mad Men : season 2

The best of 2008

Life

Babylon

Burn Notice

Breaking Bad

Secret Diary of a Call Girl

Man on Wire

The Strangers

The Wackness

Screwball and Miss Pettigrew

The Dark Knight

How to network

Bluecat

Writers don't mean shit

One-page pitches

The Inbetweeners

Pushing Daisies

Once

Battlestar Galactica

Chuck

Preaching to the converged

White Girl

Terminator: Sarah Connor Chronicles

Be Kind, Rewind

Michael Clayton

No Country For Old Men

Mad Men

Journeyman

2007 on the big screen and small

Top 25 Time Travel Stories

The Rules of Seduction

The Nines

National Novel Writing Month

Portrait of Jennie

Red Planet Prize

Dexter

Screenwriting matters

The secret history of British film

Californication

Agents

Superbad v the feMANists

Atonement

Paul Laverty

My weekend with the podcasters

Edinburgh Film Festival 2007

A bummer of a summer of British film?

Wouldn't you just die without Mahler

The great British screenplay

Seinfeld

Steps back in amazement

Cheltenham Screenwriters' Festival

28 Pirates Later

How to arrive late and leave early

Blog off and leave me alone

Screenwriter : comic reader

The 50 Greatest TV Dramas

Spiderman 3

The Holiday

Perfume

Porn: The Second Coming

The Innocents

Battlestar Galactica

My highlights and low lights of a moviegoing 2006

The Queen

Pan's Labyrinth

Casino Royale

Little Children

My fave screenwriting podcasts

Random thoughts about character

Trouble in paradigm

Children of Men

Lost on Broad Street: Diary of a Multi-Strand Collaboration [External link]

Dramatica: the DNA of story?

Writing partners

EAVE: uni for film producers

Writing for Hollyoaks

The loneliness of the long-distance copywriter

Access issues for theatre writers

 

Page against the machine


PitchesI've decided on a new addition to the site. I've decided to put up details about the scripts I'm currently working on.

These are pretty much the one-page pitches I send out to agents and producers who are interested in my work, but each now with its own page on the site.

The one-page pitch is pretty much what it says on the tin: selling your script on a sheet of A4. Adrian Mead has brought it to the attention of UK writers through his workshops, and is set to write more about it in his forthcoming ebook.

I interviewed Adrian at Cheltenham this year for my Shooting Screenwriters Show (coming soon), and he turned out to be a passionate filmmaker with a great sense of humour and a great deal of wisdom to impart when it comes to how screenwriters can market themselves.

The beauty of the one-page pitch is that it allows very busy people to get a feel for your script in order to decide if they want to read it, rather than leave it sitting there in a slush pile because they've no idea what the story is and they'd have to read the lot to find out.

Having said that, what I've put on this site are not strictly the one-page pitches I send out to producers. They're more like half-page pitches, just to give a flavour of the thing (so no blaming Adrian if you think they're rubbish).

Many of you might worry that putting your ideas out in the open like this is tantamount to sticking a Burglars Welcome sign in your window.

But as Charles Harris of Euroscript said at Cheltenham last year: 'New writers get far more worried about protecting their ideas than professional writers. Professionals understand that you have to bat your ideas out' (see him say that and more in my video).

Well, I'm not worried about people stealing my ideas. I'm sure there are screenwriters all over the world working on similar things (I talked to a writer at Cheltenham this year who has written something similar to Players and had recently seen two student scripts on the same topic).

No matter what great idea you have, there is always someone else having that same stroke of genius.

And I've recently started getting involved in Trigger Street and Inktip, communities where it doesn't make any kind of sense to be secretive about your work.

So I don't mind sharing. I don't mind putting my ideas out there. If nothing else it lets people know what kind of writer I am.

Naturally, I have a few other projects I'm working on that are at far too early a stage to talk about. It's no good pitching your script till you've actually written it, I think. Largely because, until you've wrestled with that first draft, you often don't know what your story is. Which sounds like a total screenwriting cliche, but I've found it to be true through experience.

So here are my projects, always there with a click on the Scripts button above. I will update the pages whenever something happens.

I might even put up the actual scripts as well.

I'm thinking about it.