Content :

Inception

Messing with Yolande Beckles

(500) Days of Summer

The Time Traveler's Wife

Blake Snyder 1957 - 2009

True Blood

Mad Men : season 2

The best of 2008

Life

Babylon

Burn Notice

Breaking Bad

Secret Diary of a Call Girl

Man on Wire

The Strangers

The Wackness

Screwball and Miss Pettigrew

The Dark Knight

How to network

Bluecat

Writers don't mean shit

One-page pitches

The Inbetweeners

Pushing Daisies

Once

Battlestar Galactica

Chuck

Preaching to the converged

White Girl

Terminator: Sarah Connor Chronicles

Be Kind, Rewind

Michael Clayton

No Country For Old Men

Mad Men

Journeyman

2007 on the big screen and small

Top 25 Time Travel Stories

The Rules of Seduction

The Nines

National Novel Writing Month

Portrait of Jennie

Red Planet Prize

Dexter

Screenwriting matters

The secret history of British film

Californication

Agents

Superbad v the feMANists

Atonement

Paul Laverty

My weekend with the podcasters

Edinburgh Film Festival 2007

A bummer of a summer of British film?

Wouldn't you just die without Mahler

The great British screenplay

Seinfeld

Steps back in amazement

Cheltenham Screenwriters' Festival

28 Pirates Later

How to arrive late and leave early

Blog off and leave me alone

Screenwriter : comic reader

The 50 Greatest TV Dramas

Spiderman 3

The Holiday

Perfume

Porn: The Second Coming

The Innocents

Battlestar Galactica

My highlights and low lights of a moviegoing 2006

The Queen

Pan's Labyrinth

Casino Royale

Little Children

My fave screenwriting podcasts

Random thoughts about character

Trouble in paradigm

Children of Men

Lost on Broad Street: Diary of a Multi-Strand Collaboration [External link]

Dramatica: the DNA of story?

Writing partners

EAVE: uni for film producers

Writing for Hollyoaks

The loneliness of the long-distance copywriter

Access issues for theatre writers

 

Better living through chemistry


Chemistry is the study of change. Electrons change their energy levels, Molecules change their bonds, elements combine and change into compounds. It is all of life: the constant, the cycle. Solution, dissolution, over and over and over. Growth, then decay, then transformation. It is fascinating. Really.

So says Breaking Bad's Walter H White to a class full of teenage fucknuts on the morning of his fiftieth birthday. No one is listening. No one ever listens to Walter.

If it wasn't such an achievement, he would be the archetypal Beta Male. He supplements his crappy high school Chemistry teacher's salary with a second job at a car wash, his brother-in-law is an Alpha male bonehead cop who openly vivisects him on a daily basis and then there's his wife.

She's a nice enough MILF. It's just that her idea of putting a bit of spice into a marriage is giving her husband a birthday wank while she bids on eBay.

Life is not good for Walter H White. And now his biggest birthday gift is an inoperable lung cancer diagnosis.

Ironically, this is the moment where his life takes a worm-turn for the better. Walter decides to take the place of the drug dealer his brother-in-law just took down and recruits Jesse Pinkman, an ex-fucknut pupil he failed for Chemistry who is now making the best methamphetamine in town.

Only he isn't. Jesse's shit is... well, shit, and it takes a man with a passion for the study of change to create some really boo-ya crystal. Walter's 'basic chemistry' suddenly has a street value of 'goddamn art'. He is the Cranach of Crank, the Holbein of Hank, the Rembrandt of Rank.

With the shadow of death on his lungs, Walter is, ironically, never more alive. He beats the shit out of some gargantuan prick who's taking the piss out of his disabled son, he tells his car wash boss to go fuck himself, and he finds he suddenly has the cojones to fuck his wife like she really wants.

Growth, decay, transformation.

It would be good enough if Breaking Bad were simply one of the few TV drama series that has something to say about what it means to be a white, middle-aged male in these post-feminist times. But it is not merely worthy. It is witty, outrageous, funny, tragic, disgusting (just wait for the accident with the bathtub at the end of the second episode). And above all it is fantastic writing.

Each episode sets up a key dramatic conflict, the solution to which is somewhere on the periodic table of elements. Which would make it a very cerebral drama if it weren't for the awkward, frenetic, sweaty, extremely physical performance of Bryan Cranstone, who revs up his manic comic turns as Seinfeld's dentist and Malcolm in the Middle's dad and jack-knifes them into a tragicomic tailspin worthy of Buster Keaton. He deserves his Emmy.

The seven-episode first season hits the UK tomorrow on the FX channel. It's one of the stand out shows of 2008. Make it your appointment telly.