Content :

Inception

Messing with Yolande Beckles

(500) Days of Summer

The Time Traveler's Wife

Blake Snyder 1957 - 2009

True Blood

Mad Men : season 2

The best of 2008

Life

Babylon

Burn Notice

Breaking Bad

Secret Diary of a Call Girl

Man on Wire

The Strangers

The Wackness

Screwball and Miss Pettigrew

The Dark Knight

How to network

Bluecat

Writers don't mean shit

One-page pitches

The Inbetweeners

Pushing Daisies

Once

Battlestar Galactica

Chuck

Preaching to the converged

White Girl

Terminator: Sarah Connor Chronicles

Be Kind, Rewind

Michael Clayton

No Country For Old Men

Mad Men

Journeyman

2007 on the big screen and small

Top 25 Time Travel Stories

The Rules of Seduction

The Nines

National Novel Writing Month

Portrait of Jennie

Red Planet Prize

Dexter

Screenwriting matters

The secret history of British film

Californication

Agents

Superbad v the feMANists

Atonement

Paul Laverty

My weekend with the podcasters

Edinburgh Film Festival 2007

A bummer of a summer of British film?

Wouldn't you just die without Mahler

The great British screenplay

Seinfeld

Steps back in amazement

Cheltenham Screenwriters' Festival

28 Pirates Later

How to arrive late and leave early

Blog off and leave me alone

Screenwriter : comic reader

The 50 Greatest TV Dramas

Spiderman 3

The Holiday

Perfume

Porn: The Second Coming

The Innocents

Battlestar Galactica

My highlights and low lights of a moviegoing 2006

The Queen

Pan's Labyrinth

Casino Royale

Little Children

My fave screenwriting podcasts

Random thoughts about character

Trouble in paradigm

Children of Men

Lost on Broad Street: Diary of a Multi-Strand Collaboration [External link]

Dramatica: the DNA of story?

Writing partners

EAVE: uni for film producers

Writing for Hollyoaks

The loneliness of the long-distance copywriter

Access issues for theatre writers

 

What news of Little Nell?


LifeIt's that time of year when new US TV dramas sprout up all over the UK channels and I have to concentrate on keeping my mouth shut because I've already seen the whole series that's just starting. Yes, I'm a committed downloader of US dramas. I download episodes a day after they air in the States. Sometimes I let an entire season run and then download the lot in one go and I still get to see the entire series before the first episode gets anywhere near a UK channel. Life may have just started on ITV3 but sorry guys, I watched the final episode of this first season last Christmas.

Bittorent sharing of TV episodes is illegal, of course, but it falls into that grey area between broadcast and DVD release in which digital distribution is possible the moment a TV show is broadcast. For me it's a matter of keeping abreast of current trends in TV drama so I can perfect my screenwriting craft as well as write about series and preview them here when they finally do get a UK release. It's like having a VCR that can tape foreign TV shows.

This doesn't help UK channels like ITV3 who want advertising revenue from series like Life, though. Channels are trying to discourage downloading by having shows appear in the UK shortly after US transmission. Heroes is a great example - there's no point in downloading it because you can see it within a week of its US release. But with other dramas there's a long way to go. Excellent series like Mad Men, Burn Notice and Californication are well into their second seasons in the US but don't hold your breath waiting for them this side of the pond.

If these shows appeared here within a week of their US debuts, people like me wouldn't bother with bittorrent. We'd wait for them to appear on our tellies and happily watch the accompanying adverts. But sorry guys, if you want that to happen you need to take a look at the broadband reality, because it's moving way faster than you are.

There's no reason why we shouldn't be watching these series simultaneously with our American cousins. So why are they being shipped to us with all the speed of Victorian partworks? Why do we feel like those Americans crowding the harbour in 1840 asking 'What news of Little Nell?' to arriving Brits who'd read last week's chapter of Dickens' The Old Curiosity Shop? It's 2008, folks. This shouldn't be happening.

But anyway, what of this 'new' drama series Life?

Those who've already seen the first three episodes on ITV3 will know that it's a police procedural starring Brit Damien Lewis as Charlie Crews a detective just out of clink after serving twelve years of a life sentence for triple murder. But like Ivan Dobsky, HE NEVER DONE IT. And now he's back on the force, even though he's got mega-ding from his compensation, and tracking down the people what put him away.

He's also developed a few handy character quirks. Prison will do that to you. He's into Zen, and obsessed with fruit, and is now, quite understandably, most likely to say 'he never done it' even when the murder suspect of the week is wearing a sandwich board with the words I DONE IT painted in the victim's blood. Yes, Charlie Crews is a maverick, and a very entertaining one.

Thankfully, after the first few episodes, the quirks take a back seat and Charlie starts to become a much more interesting character. This is because, deep down, this is a Superhero story type (using Blake Snyder's rather helpful genre types). Crews is special, and that makes him an outcast. This is, at its heart, about the difficulty of being an extraordinary hero in an ordinary world.

You don't need to wear a cape to be in a Superhero story type: see those two notable Russell Crowe movies Gladiator and A Beautiful Mind. These are stories about human superheroes challenged by the mediocre world around them. It is the tiny minds that surround the hero that are the real problem. All Superhero tales are about being 'different', are about the difficulties of being 'special'.

Thankfully Life delivers on this promise and the rent-a-quirk fruit obsession dies a quiet death off screen well before the gripping season 1 finale... which I saw a year ago... and will leave you to enjoy for yourself.