Content :

Inception

Messing with Yolande Beckles

(500) Days of Summer

The Time Traveler's Wife

Blake Snyder 1957 - 2009

True Blood

Mad Men : season 2

The best of 2008

Life

Babylon

Burn Notice

Breaking Bad

Secret Diary of a Call Girl

Man on Wire

The Strangers

The Wackness

Screwball and Miss Pettigrew

The Dark Knight

How to network

Bluecat

Writers don't mean shit

One-page pitches

The Inbetweeners

Pushing Daisies

Once

Battlestar Galactica

Chuck

Preaching to the converged

White Girl

Terminator: Sarah Connor Chronicles

Be Kind, Rewind

Michael Clayton

No Country For Old Men

Mad Men

Journeyman

2007 on the big screen and small

Top 25 Time Travel Stories

The Rules of Seduction

The Nines

National Novel Writing Month

Portrait of Jennie

Red Planet Prize

Dexter

Screenwriting matters

The secret history of British film

Californication

Agents

Superbad v the feMANists

Atonement

Paul Laverty

My weekend with the podcasters

Edinburgh Film Festival 2007

A bummer of a summer of British film?

Wouldn't you just die without Mahler

The great British screenplay

Seinfeld

Steps back in amazement

Cheltenham Screenwriters' Festival

28 Pirates Later

How to arrive late and leave early

Blog off and leave me alone

Screenwriter : comic reader

The 50 Greatest TV Dramas

Spiderman 3

The Holiday

Perfume

Porn: The Second Coming

The Innocents

Battlestar Galactica

My highlights and low lights of a moviegoing 2006

The Queen

Pan's Labyrinth

Casino Royale

Little Children

My fave screenwriting podcasts

Random thoughts about character

Trouble in paradigm

Children of Men

Lost on Broad Street: Diary of a Multi-Strand Collaboration [External link]

Dramatica: the DNA of story?

Writing partners

EAVE: uni for film producers

Writing for Hollyoaks

The loneliness of the long-distance copywriter

Access issues for theatre writers

 

Do the rite thing


What were you doing in the summer of '94? I was making the long journey from England to Hungary in a clapped out Mitsubishi with two Hungarian students and no leg room for three days as we sped across Europe praying the car would hold together and listening to tapes of Tom Waits and Bill Hicks non-stop. I was going to live with a Hungarian girl, and teach English to Hungarian kids, and write a Hungarian novel and make a totally new Hungarian start in life. But it didn't work out like that.

Perfect summers rarely work out how you want them to.

For Luke Shapiro (Josh Peck) the summer of '94 is all about selling weed from an ice cream cart in New York, listening to the latest hip-hop from Biggie Smalls and chasing that beautiful girl (there's always a beautiful girl).

It's also about becoming parent to his fucked up parents and therapist to his fucked up therapist.

The Wackness is a rites of passage dramedy that shows us NYC before it all changed and mayor Rudy Giuliani got tough on crime. But it's not about making political points or celebrating the mean streets as they once were. It's about what it's like to be that beautiful girl's summer fling, knowing that as soon as the holidays are over you'll be relegated back to the substitutes' bench. It's about the uncool kid learning that he can transcend cool.

This makes it sound way too worthy. The Wackness will have you chuckling away for the full 90 minutes, not least due to Ben Kingsley's manic turn as Dr Squires, a screwed up shrink who trades sessions for weed and gives advice like 'Fuck a Black girl. I never got to fuck a Black girl.'

Writer-director Jonathan Levine spent two years getting the script to the point where it was ready to take to Occupant Films, who then put him through six months of intense rewrites. It shows because, despite its slacker feel, the script is lean, tight and very sharp.

It's a major new contribution to the Rites of Passage genre with an excellent twist on the mentor-disciple relationship as Shapiro starts to 'cure' Squires.

It is anything but wack. In fact it's rather dope.


Luke Shapiro's Dope Show


Here's another thing for screenwriters to think about. Movies aren't just marketed through ads on the side of buses these days. There's this thing called the internet and if you want to get your message out there you've gotta get viral.

The Wackness resorted to a very cool marketing campaign in which they forwarded Youtube links to critics ahead of release, putatively promoting an archive cable show presented by main character Shapiro.

It's nowhere in the film, but it's something that character might have done. Great idea.