Content :

Inception

Messing with Yolande Beckles

(500) Days of Summer

The Time Traveler's Wife

Blake Snyder 1957 - 2009

True Blood

Mad Men : season 2

The best of 2008

Life

Babylon

Burn Notice

Breaking Bad

Secret Diary of a Call Girl

Man on Wire

The Strangers

The Wackness

Screwball and Miss Pettigrew

The Dark Knight

How to network

Bluecat

Writers don't mean shit

One-page pitches

The Inbetweeners

Pushing Daisies

Once

Battlestar Galactica

Chuck

Preaching to the converged

White Girl

Terminator: Sarah Connor Chronicles

Be Kind, Rewind

Michael Clayton

No Country For Old Men

Mad Men

Journeyman

2007 on the big screen and small

Top 25 Time Travel Stories

The Rules of Seduction

The Nines

National Novel Writing Month

Portrait of Jennie

Red Planet Prize

Dexter

Screenwriting matters

The secret history of British film

Californication

Agents

Superbad v the feMANists

Atonement

Paul Laverty

My weekend with the podcasters

Edinburgh Film Festival 2007

A bummer of a summer of British film?

Wouldn't you just die without Mahler

The great British screenplay

Seinfeld

Steps back in amazement

Cheltenham Screenwriters' Festival

28 Pirates Later

How to arrive late and leave early

Blog off and leave me alone

Screenwriter : comic reader

The 50 Greatest TV Dramas

Spiderman 3

The Holiday

Perfume

Porn: The Second Coming

The Innocents

Battlestar Galactica

My highlights and low lights of a moviegoing 2006

The Queen

Pan's Labyrinth

Casino Royale

Little Children

My fave screenwriting podcasts

Random thoughts about character

Trouble in paradigm

Children of Men

Lost on Broad Street: Diary of a Multi-Strand Collaboration [External link]

Dramatica: the DNA of story?

Writing partners

EAVE: uni for film producers

Writing for Hollyoaks

The loneliness of the long-distance copywriter

Access issues for theatre writers

 

Lovers in Paris


A multi-strand romantic comedy

Lovers in ParisIt’s Disneyland for lovers; a place to indulge in a romantic fantasy world and pretend you’re the couple in that famous Robert Doisneau photograph. But if you fell in love with someone in Paris, could you trust your feelings? Would it have a real future? Or should you just get out of there and fall in love somewhere where it’s safe?

Three couples try to find the answer on New Year's Eve in the French capital.

There's a blind date, a 'one that got away' and a love at first sight. By morning they'll know.

The script started life as a series of short film ideas developed with my regular collaborator, director Francois Gandolfi. I then had the idea of weaving the stories into a multi-strand feature script.

The big breakthrough with this screenplay came when The Script Factory picked it up for their final Writers Passage West Midlands scheme. It received nine months of workshops and some intense development with Ludo Smolski, and finally some feedback from acclaimed producer Kevin Loader.